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Frank just arrived sounding like he’s been getting vocal training by little mermaids. It’s rather beautiful, like a Disney princess waking up on the first day of summer vacation. Really have to look into who is killing this hook. "Foreword" has the disturbing force of a ladybug. The energy is far from high but that's the charm, a change of scenery. Usually, he wants to leave a mark with something rambunctious and loud. I don’t think I’ve heard Tyler sound this calm on an album opening, ever. “ How many chains can I wear 'til I’m considered a slave, how many slaves 'til Nate Turner arrives?” I like this bar, a bit weird but I like it. Verse two continues this wondering mindset. These chords and strings feel like the end of summer, this would depress Phineas and Ferb. " Nothing last forever, nothing sticks." Whoever's singing the hook killed it. Tyler is painting pictures, for the most part, asking himself a lot of internal questions. Rather chill, far from an explosive opening. Interesting, introspective verse thus far. The way the beat is waving back and forth is like a hypnotist swinging a quarter before my eyes to put me under a spell. Here’s hoping that Flower Boy sheds the pretentious, avant-garde mindset and that Tyler allows the music a chance to be received by all ears.īitch and fuck are the first words heard, very Tyler. Cherry Bomb has these moments, but it's mostly ruined by the unbearable sound quality. No psychiatrist sessions or summer camp adventures, but snapshots of Tyler Okonma's life. Over the years, what I’ve wanted the most from a Tyler, The Creator project is a step into reality. Tyler’s albums tend to capture his imagination, showcase his advances as a producer and pay homage to Pharrell and N*E*R*D as a reminder of their influence on his artistry. It's a comeback project that, hopefully, can right the wrongs of Cherry Bomb. A good album felt self-sabotaged, a single creative desire ruined the experience and the album sunk into Davy Jones’ Locker-a place where no one could hear it explode.įlower Boy isn't just a new album, though.
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That makes me so happy."Ĭheck out the full interview with Tyler, The Creator here.2015's Cherry Bomb, Tyler's previous full-length, didn’t amass widespread admiration, the result of questionable audio engineering that gave the album amplified bass too overwhelming to be enjoyable.
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".They're doing it from making really cool shit, that's not them sticking to a stereotype or behaving in a certain way because they have pigment in their skin colour.
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"It's sometimes a good reminder to see guys who look like me doing really cool shit." he said. The album earned him a Grammy nomination (technically his second acknowledgement, given his input on Frank Ocean's Channel Orange), and on many Best of 2017 lists and while he doesn't refer to definite plans for new music in the pipeline, Tyler notes his role as a young black artist being someone to look up to. While Tyler has been lambasted in the past for earlier lyrics painting violent, graphic images, Flower Boy turned many critics to his favour.
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When Flower Boy was released last year, Tyler was also in the middle of continuing work on his GOLF WANG fashion line, and of course, the profile of the Tyler-helmed Camp Flog Gnaw Carnival gained great speed in 2017 with the likes of BROCKHAMPTON, Lana Del Rey, A$AP Rocky and Mac Miller performing (Ruel, Kanye West, Kid Cudi and Post Malone are amongst the names tapped for it this year). RELATED: '"I completely flipped!" How Ruel got a slot on Tyler, The Creator's stacked festival' So, I guess I just naturally got it pushed into my head that I have no reason to go over there and get f**king drunk." I've never seen anyone drunk like, "Damn, I want to be that". I can look at that and say, "I want to do that". But I do know I want to hit a jump on a dirt bike. "I know I that I don't want to be that drunk guy. "I just don't want to drink," he also mentions, rejecting the partying lifestyle of many of his fellow rap artists. The album, he admits, is his best but not necessarily his favourite - that title belongs with 2015's Cherry Bomb. The juxtaposition of loud and quiet is weird." "Even though I'm considered loud and out there, I'm private, which is a weird dichotomy. "It's still such a grey area with people, which is cool with me." Tyler said, referring to his sexuality, which Flower Boy touches on.